The designer has assured that working with the mannequin “It’s not a job, it’s a non secular communion …”
Paris, Jul 6 (EFE) .- French Haute Couture designer Stéphane Rolland offered his autumn-winter assortment this Tuesday at Paris Trend Week, with cautious work of rhinestones impressed by the marine world and for the one who as soon as once more used his muse, the Spanish mannequin Nieves Álvarez.
“Between Nieves and I there’s a story of ardour, of excessive vogue, I really like being together with her. It’s not a job, it’s a non secular communion. Nieves is a coronary heart, however it’s also a sculpture, that’s the reason I’m fascinated by it ”, Rolland instructed Efe in his workshop.
The dressmaker, who started strolling at Trend Week in 2007, famous that when he works with Álvarez, he appears like Rodin sculpting a block of stone. “Solely she’s already sculpted,” he commented smiling.
Particularly for the reason that pandemic compelled manufacturers to resort to a digital format for his or her displays, Álvarez, who all the time normally opens or closes his exhibits, has turn into absolutely the model of Rolland, since solely she seems within the movies of his final three collections.
The one which served as a pattern of this autumn-winter 2021/2022 assortment was recorded on the border between the French Basque Nation and the Spanish, on a stone dike the place the waves of the ocean break, a panorama wherein the creations of Rolland.
Amongst them is a spectacular gown whose again and prepare reproduces the waves of the ocean with vertical organza ruffles and a beaded embroidery on the chest by mosaic artist Béatrice Serre.
These ruffles additionally embellished the tail of a long-sleeved, straight, white tunic-type gown.
“Serre makes probably the most lovely mosaics on the earth for me. Every part he carves in stone, treasured stones, marble, works wonders,” Rolland mentioned.
These embroideries embody corals, marble, crystals, amber and quartz, they usually coloured the attire, huge reduce and beneficiant silhouettes, in a distinction of trapeze skirts and rounded volumes on the prime.
Black and white have been the protagonists of the road, marked by Rolland’s signature graphics, together with some introductions of pink, yellow and gold to extend the optimistic power of this assortment.
“It was fascinating to work with these colours in a panorama the place the tones are lighter, sweeter, extra grayish. The colour makes it shine, and I needed Nieves to shine on the rocks of the Basque Nation,” he commented in reference to his presentation.
The designer confessed that you wish to meet the general public once more in a face-to-face parade, however he acknowledged that this section has allowed experimenting and discovering new methods of transmitting his work.
“You must know the right way to make the most of the second, regardless of the difficulties. I are inclined to get overwhelmed, however I’m optimistic. Making these movies has been a very good expertise, however the parades are an adrenaline rush, “he acknowledged. (I)